By Bill Knott, 1940 - 2014
Many decades after graduation
the students sneak back onto
the school-grounds at night
and within the pane-lit windows
catch me their teacher at the desk
or blackboard cradling a chalk:
someone has erased their youth,
and as they crouch closer to see
more it grows darker and quieter
than they have known in their lives,
the lesson never learned surrounds
them: why have they come? Is
there any more to memorize now
at the end than there was then—
What is it they peer at through shades
of time to hear, X times X repeated,
my vain efforts to corner a room’s
snickers? Do they mock me? Forever?
Out there my past has risen in
the eyes of all my former pupils but
I wonder if behind them others
younger and younger stretch away
to a day whose dawn will never
ring its end, its commencement bell.
Sunday, December 24, 2017
Death
BY BILL KNOTT
Going to sleep, I cross my hands on my chest.
They will place my hands like this.
It will look as though I am flying into myself.
The Real Thing
By John Freeman
You’re perfectly fine now – well, like me, still
recovering from our strenuous week,
but fine compared with how you seemed to be
yesterday morning when I heard you call
help me, please, and I thought maybe a spider
needed removing, or something was stuck,
or would take two people to shift. From your voice
I couldn’t tell it was anything more,
and that you spoke undemonstratively
because you were on the point of passing out.
Which you did, eventually, after sighing,
groaning oh dear and looking strangely white,
by which time I was sitting next to you.
When you fainted finally I missed it,
hoping you were gathering your forces,
wondering whether you might be dying,
wishing I’d never not been nice to you.
Later the doctor, who was reassuring,
you told me, said it had been a true faint
and I wondered what a false faint might be,
but it was satisfying somehow to have
the authenticity of yours confirmed.
You said that when you opened your eyes at last
you were grateful to find me there with you,
which was, as I said then, and say again,
a feeling very much reciprocated.
You’re perfectly fine now – well, like me, still
recovering from our strenuous week,
but fine compared with how you seemed to be
yesterday morning when I heard you call
help me, please, and I thought maybe a spider
needed removing, or something was stuck,
or would take two people to shift. From your voice
I couldn’t tell it was anything more,
and that you spoke undemonstratively
because you were on the point of passing out.
Which you did, eventually, after sighing,
groaning oh dear and looking strangely white,
by which time I was sitting next to you.
When you fainted finally I missed it,
hoping you were gathering your forces,
wondering whether you might be dying,
wishing I’d never not been nice to you.
Later the doctor, who was reassuring,
you told me, said it had been a true faint
and I wondered what a false faint might be,
but it was satisfying somehow to have
the authenticity of yours confirmed.
You said that when you opened your eyes at last
you were grateful to find me there with you,
which was, as I said then, and say again,
a feeling very much reciprocated.
Saudade
means nostalgia, I’m told, but also
nostalgia for what never was. Isn’t it
the same thing? At a café
in Rio flies wreathe my glass.
How you would have loved this: the waiter
sweating his knit shirt dark. Children
loping, in tiny suits or long shorts, dragging
toys and towels to the beach. We talk,
or I talk, and imagine your answer, the heat clouding our view.
Here, again, grief fashioned in its cruelest translation:
my imagined you is all I have left of you.
Saturday, December 9, 2017
Chanukah II
Pachim Ketanim
By Yossi Huttler
By Yossi Huttler
after all the holy wars
you’ve fought
all the wounds and scars
and defilement
search yourself
for that one incorruptible
jug of oil
retrieve it
kindle it
and find yourself
illuminating
a miraculously long time
For Chanukah
Subway
By Billy Collins
As you fly swift underground
with a song in your ears
or lost in the maze of a book
Remember the ones who descended here
into the mire of bedrock
to bore a hole through the granite
to clear a passage for you
where there was only darkness
Remeber as you come up into the light
By Billy Collins
As you fly swift underground
with a song in your ears
or lost in the maze of a book
Remember the ones who descended here
into the mire of bedrock
to bore a hole through the granite
to clear a passage for you
where there was only darkness
Remeber as you come up into the light
Sunday, November 26, 2017
SOME TREES
--John Ashbery
These are amazing: each
Joining a neighbor, as though speech
Were a still performance.
Arranging by chance
Joining a neighbor, as though speech
Were a still performance.
Arranging by chance
To meet as far this morning
From the world as agreeing
With it, you and I
Are suddenly what the trees try
From the world as agreeing
With it, you and I
Are suddenly what the trees try
To tell us we are:
That their merely being there
Means something; that soon
We may touch, love, explain.
That their merely being there
Means something; that soon
We may touch, love, explain.
And glad not to have invented
Such comeliness, we are surrounded:
A silence already filled with noises,
A canvas on which emerges
Such comeliness, we are surrounded:
A silence already filled with noises,
A canvas on which emerges
A chorus of smiles, a winter morning.
Placed in a puzzling light, and moving,
Our days put on such reticence
These accents seem their own defense.
Placed in a puzzling light, and moving,
Our days put on such reticence
These accents seem their own defense.
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